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Åsa Jernudd

Befattning: Universitetslektor Organisation: Institutionen för humaniora, utbildnings- och samhällsvetenskap

E-post: YXNhLmplcm51ZGQ7b3J1LnNl

Telefon: 019 302129

Rum: F3133

Forskningsämne

Medie- och kommunikationsvetenskap

Om Åsa Jernudd

Åsa Jernudd är docent i medie- och kommunikationsvetenskap och forskar om filmkultur i historiskt perspektiv. Hennes doktorsavhandling (2007) handlar om hur film introducerades i en mellanstor stad i Sverige (Örebro) och de sociala och kulturella sammanhang som filmvisning var en del av och som präglade de tidiga biograferna. Jernudd är intresserad av formerna och sammanhangen för att se på film och av publikens upplevelser av film; film som händelse, praktik, minne och kulturarv.

Hon var drivande i utvecklingen av kandidatutbildningen Filmprogrammet vid Örebro universitet och var programansvarig 2015 till 2019.

Jernudd är medlem i styrelsen och redaktionsrådet för Föreningen Mediehistoriskt arkiv samt i Riksföreningen biografernas Komitté för biografutveckling.

Undervisning

Jernudd tilldelades Örebro universitets och Örebro studentkårs Pedagogiska Stipendium 1999. Hon har även tilldelats stipendium inom Excellence in Teaching-programmet utfärdat av Stiftelsen för internationalisering av högre utbildning och forskning (STINT). Stipendiet gav henne tillfälle att vistas vid Wee Kim Wee School of Communication and Information vid Nanyang Technological University i Singapore höstterminen 2011.

Jernudd undervisar på Filmprogrammet.

Forskning

Jernudd arbetar vidare med den stora mängd data som genererades i samband med projektet "Filmpubliken i Sverige: En studie om biografens storhetstid och tillbakagång (VR) (2019 - 2022)". Det är en publikstudie om biografer och minnen om filmkultur i Sverige på 1950- och 1960-talet. Förutom att nedteckna och levandegöra ett kulturarv innan det försvinner, undersökte studien upplevelser av den så kallade biografdöden i början på sextiotalet.

Parallellt skriver Jernudd på en artikel i vilken hon testar en tidsgeografisk metod för att klargöra hur en dagboksskrivares biovanor förändras i ett samspel med andra aktiviteter och relationer i hans liv. Tiden som undersöks sammanfaller med den tid då biograffilmen institutionaliserades, från 1914 och fram till 1924. Hur kom biograffilmen som nytt medium att förändra Holmströms fritidsaktiviteter, familjerelationer och umgänge? Projektet har som working-title: Att gå på bio på tiotalet: En dagbok berättar om biografens institutionalisering.

Avslutade projekt

Forskargrupper

Publikationer

Artiklar i tidskrifter

Van Belle, J. & Jernudd, Å. (2023). Remembering television as a new medium: Conceptual boundaries and connections. Journal of Scandinavian Cinema, 13 (1), 67-81. [BibTeX]
Van Oort, T. , Jernudd, Å. , Lotze, K. , Pafort-Overduin, C. , Biltereyst, D. , Boter, J. , Dibeluto, S. , Ercole, P. & et al. (2020). Mapping Film Programming across Post-War Europe (1952). Research Data Journal for the Humanities and Social Sciences, 5 (2), 109-125. [BibTeX]
Pafort-Overduin, C. , Lotze, K. , Jernudd, Å. & Van Oort, T. (2020). Moving Films: Visualising Film Flow in Three European Cities in 1952. TMG Journal for Media History, 23 (1-2), 1-49. [BibTeX]
Jernudd, Å. & Lundmark, M. (2020). The Persistence of Society-driven Engagement in Swedish Cinema: a locational analysis, 1936-2016. TMG Journal for Media History, 23 (1-2), 1-30. [BibTeX]
Jernudd, Å. (2013). Christmas satire on Swedish television: Christopher's Christmas mission. Journal of Scandinavian Cinema, 3 (3), 253-258. [BibTeX]
Jernudd, Å. (2011). My hope for a diversified cinema culture in Örebro, Sweden. Senses of Cinema, 58. [BibTeX]
Jernudd, Å. (2005). Reform and entertainment: film exhibition and leisure in a small town in Sweden at the end of the nineteenth century. Film History. An International Journal, 17 (1), 88-105. [BibTeX]
Jernudd, Å. (2000). The expedition film: 'just looking' at Wild men and Beasts?!. Aura: filmvetenskaplig tidskrift, 6 (4), 4-11. [BibTeX]

Böcker

Jernudd, Å. (1999). Oscar Olsson's African films (1921/22): examples of touristic edutainment. Örebro: Örebro universitet (Studier i kommunikation och medier 14). [BibTeX]

Dataset

Pafort-Overduin, C. , Boter, J. , Oort, T. v. , Lotze, K. , Jernudd, Å. , Vijver, L. V. D. , Treveri Gennari, D. , Ercole, P. & et al. (2019). Film programming Antwerp Bari Ghent Gothenburg Leicester Rotterdam 1952. [BibTeX]

Doktorsavhandlingar

Jernudd, Å. (2007). Filmkultur och nöjesliv i Örebro 1897-1908. (Doctoral dissertation). Stockholm: Stockholms universitet. [BibTeX]

Kapitel i böcker, del av antologier

Jernudd, Å. & Van Belle, J. (2024). Managing Constraints and Stories of Freedom: Comparing Cinema Memories from the 1950s and 1960s in Sweden. I: Daniela Treveri Gennari; Lies Van De Vijver; Pierluigi Ercole, The Palgrave Handbook of Comparative New Cinema Histories (ss. 147-172). Cham: Palgrave Macmillan. [BibTeX]
Jernudd, Å. & Sedgwick, J. (2022). Popular Films in Stockholm During the 1930s: A Presentation and Discussion of the Pioneering Work of Leif Furhammar. I: John Sedgwick, Towards a Comparative Economic History of Cinema, 1930–1970 (ss. 87-142). . Springer. [BibTeX]
Jernudd, Å. (2018). Youth, Leisure, and Modernity in the Film One Summer of Happiness (1951): Exploring the Space of Rural Film Exhibition in Swedish Post-war Cinema. I: Daniela Treveri Gennari, Danielle Hipkins & Catherine O'Rawe, Rural Cinema Exhibition and Audiences in a Global Context (ss. 325-337). Cham: Palgrave Macmillan. [BibTeX]
Jernudd, Å. & Lundmark, M. (2017). Cinemagoing in Sweden in the 1940s: Civil society organisations and the expansion of rural film exhibition. I: Thissen, J. and Zimmermann, C., Cinema beyond the City: Small-town and rural film culture in Europe. London: Palgrave Macmillan. [BibTeX]
Jernudd, Å. (2013). Cinema memory: National identity as expressed by Swedish elders in an oral history project. I: Northern Lights: Film & Media Studies Yearbook (ss. 109-122). . Intellect Ltd.. [BibTeX]
Jernudd, Å. (2012). Spaces of early film exhibition in Sweden, 1897-1911. I: Daniel Biltereyst, Richard Maltby, Philippe Meers, Cinema, audiences and modernity: new perspectives on European cinema history (ss. 19-34). London: Routledge. [BibTeX]
Jernudd, Å. (2010). Cinema, memory and place-related identities: remembering cinema-going in the post-industrial town of Fagersta in Bergslagen. I: Erik Hedling, Olof Hedling, Mats Jönsson, Regional aesthetics: locating Swedish media (ss. 169-189). Stockholm: Kungliga biblioteket. [BibTeX]
Jernudd, Å. (2010). Film exhibition in Örebro 1897-1902. I: Mariah Larsson, Anders Marklund, Swedish film: an introduction and reader (ss. 47-62). Lund: Nordic Academic Press. [BibTeX]
Jernudd, Å. (2010). Filmanalys i ett filmpoetiskt perspektiv. I: Mats Ekström, Larsåke Larsson, Metoder i kommunikationsvetenskap (ss. 289-303). Lund: Studentlitteratur AB. [BibTeX]
Jernudd, Å. (2009). Jakten på forsvunne tilskuere: resepsjonsstudier i filmvitenskapen. I: Sarah Brinch, Anne Gjelsvik, Veier tilbake: filmhistoriske perspektiver : festskrift i anledning Gunnar Iversens 50-årsdag 18. januar 2009 (ss. 116-132). Kristiansand: Höyskoleforlaget. [BibTeX]
Jernudd, Å. (2008). Före biografens tid: kringresande filmförevisares program 1904-1907. I: Erik Hedling, Mats Jönsson, Välfärdsbilder: svensk film utanför biografen (ss. 31-48). Stockholm: Statens ljud- och bildarkiv. [BibTeX]
Jernudd, Å. (2000). Filmanalys. I: Mats Ekström, Larsåke Larsson, Metoder i kommunikationsvetenskap (ss. 247-271). Lund: Studentlitteratur. [BibTeX]
Jernudd, Å. (1999). Educational cinema and censorship in Sweden, 1911-1921. I: John Fullerton, Jan Olsson, Nordic explorations: film before 1930 (ss. 152-162). London: John Libbey. [BibTeX]

Konferensbidrag

Jernudd, Å. (2024). Cinemagoing in the teens as mediatization: An audience perspective on the institutionalisation of cinema. Konferensbidrag vid HoMER networks annual international conference, 20 years of HoMER: What has been done and where is it going?, Rio de Janeiro, Brazil, July 10-12, 2024. [BibTeX]
Jernudd, Å. (2023). What to make of a diary from the early 20th Century? Time- geography as a method for understanding cinemagoing as mediatization. I: Book of Abstracts HoMER 2023 Conference. Konferensbidrag vid HoMER networks annual international conference, Openings: Rethinking Centres and Peripheries in Historical Research about Moviegoing, Exhibition and Reception (HoMER 2023), Barcelona, Spain, July 4-7, 2023. (ss. 34-34). [BibTeX]
Jernudd, Å. (2023). What to make of a diary from the early 20th Century? Time-geography as a method for understanding cinemagoing as mediatization. Konferensbidrag vid VIII Baltic Sea Region Film conference: City, Film and Media, Lithuanian Academy of Music and Theatre, Vilnius, Lithuania, October 20-21, 2023. [BibTeX]
Jernudd, Å. & Van Belle, J. (2022). How are conceptual boundaries of different media crossed and upheld in cinema memories? An analysis of European audiences’ talk about television in the 1950s. I: Book of Abstracts HoMER 2022 Conference. Konferensbidrag vid Annual Conference HOMER (History of Moviegoing, Exhibition and Reception), Rome, Italy, July 5-8, 2022. (ss. 48-49). [BibTeX]
Jernudd, Å. & Van Belle, J. (2021). Before and After Television: Comparing Memories of Cinemagoing in a Region of Sweden Where Cinema Flourished. Konferensbidrag vid HoMER-networks annual international conference, “Integrating Traditions”, hosted by Maynooth University, Dublin, Ireland (online conference), May 25-28, 2021. [BibTeX]
Jernudd, Å. (2019). Programming in Different Cinemas and Locations in Sweden in 1956-58 and 1966. Konferensbidrag vid HoMER@Bahamas, Anchoring New Cinema History, HoMER networks annual international conference, Nassau, The Bahamas, June 26–28, 2019. [BibTeX]
Jernudd, Å. & Lundmark, M. (2019). The Importance of Civic Societies to Swedish Cinema History: Mapping cinema exhibition in the rural and small town region of Bergslagen. Konferensbidrag vid Royal Geographical Society-Institute of British Geographers (RGS-IBG) Annual International Conference, London, UK, August 27-30, 2019. [BibTeX]
Jernudd, Å. & Lundmark, M. (2018). The Persistence of Cinema in Rural Sweden: a location analysis. Konferensbidrag vid HoMER@necs 2018, European Network for Cinema and Media Studies, Amsterdam, The Netherlands, June 27-29, 2018. [BibTeX]
Jernudd, Å. & Lundmark, M. (2017). Bio i Bergslagen: Mapping Rural Cinema in Sweden 1956-76. Konferensbidrag vid Rural History 2017, the 3rd biennial conference of the European Rural History Organisation (EURHO), Leuven, Belgium, September 11-14, 2017. [BibTeX]
Jernudd, Å. (2017). Cinema in/and the City. Konferensbidrag vid GPS 400 – Gothenburg Cultures on the Town 1621-2021, the 1st International Conference on Collaborative Research in the Humanities, Gothenburg, Sweden, November 8-9, 2017. [BibTeX]
Jernudd, Å. (2016). What is Cinema?: Film Exhibition in Multipurpose Community Venues. Konferensbidrag vid Imagining and Communicating Space/Place: Critical Reflections and Interdisciplinary Perspectives, Örebro, Sweden, June 9, 2016. [BibTeX]
Jernudd, Å. (2014). Cinema at the service of civil society: film exhibition in multipurpose venues in Sweden. I: European Network for Cinema and Media Studies. Konferensbidrag vid European Network for Cinema and Media Studies (NECS), Milan, Italy, June 19-21, 2014. [BibTeX]
Jernudd, Å. (2013). Cinema and Civil Society: The appropriation of cinemas by the workers' and temperance movements in 1940s rural Sweden. Konferensbidrag vid The Lure of the City: Cinema Culture in Small-Towns and Rural Communities in Europe, International Workshop in Comparative Cinema History, Saarbrücken. [BibTeX]
Jernudd, Å. (2013). Differences in Programming and Audience Address in Swedish Cinemas of the late 1930s.. Konferensbidrag vid HOMER@necs 2013: European Network for Cinema and Media Studies’ annual conference, Prague, June 20-22. [BibTeX]
Jernudd, Å. (2012). Cinema is dead. Long live cinema!?: film culture in historical comparative perspective. Konferensbidrag vid ECREA 2012: 4th European Communication Conference, Istanbul, Turkey, 24-27 October, 2012. [BibTeX]
Jernudd, Å. (2012). Modernity, ideology and commerce: locating Swedish cinema history. Konferensbidrag vid Film History and Experiences: interdisciplinary research in cinema and media, Lund University, May 11. [BibTeX]
Jernudd, Å. & Mörner, C. (2012). Understanding the films of Swedish comedians Hans Alfredsson and Tage Danielsson in terms of cultural branding. Konferensbidrag vid The Branding Strategy in the Audiovisual Sector, Université de Toulouse Le Mirail, France, April 5-6 2012. [BibTeX]
Jernudd, Å. (2011). Is the appeal of Hasse & Tage strictly national?: A case study of The adventures of Picasso. Konferensbidrag vid NECS 2011, King's College and Birkbeck College London, UK, June 23-26. [BibTeX]
Jernudd, Å. (2010). Locating (trans)national reflections in film memory. Konferensbidrag vid ECREA 2010: 3rd European Communication Conference, Hamburg, Germany, 12-15 October. [BibTeX]
Jernudd, Å. (2009). Cinema, memory and identity: narrative strategies when remembering cinema-going and film. Konferensbidrag vid necs: (European Network for Cinema and Media Studies): Locating Media, Lund, Sweden, 25-28 June 2009. [BibTeX]
Jernudd, Å. (2008). Film i Fagersta: berättelser om biografens betydelse. Konferensbidrag vid Bergslagskonferensen, Borlänge, Sweden, 28 oktober 2008. [BibTeX]
Jernudd, Å. (2008). Spaces of early film exhibition in Sweden. Konferensbidrag vid 17th International Screen Studies Conference, Glasgow, Great Britain, 4-6 July 2008. [BibTeX]
Jernudd, Å. (2007). Features of early film culture in rural Sweden. Konferensbidrag vid 'The Glow in their Eyes'. Global Perspectives on Film Cultures, Film Exhibition and Cinemagoing, Ghent, Belgium, 14-16 December, 2007. [BibTeX]
Jernudd, Å. (2005). Fairground Amusements and (the Absence of) Film Around 1900. The Example of Örebro, Sweden. Konferensbidrag vid 17:e nordiska konferensen för medie- och kommunikationsvetenskap, Aalborg, 11-14 augusti 2005. [BibTeX]
Jernudd, Å. (2005). Regulating Public Auditoriums. Konferensbidrag vid Nitra konferens: Dokumentärfilmen i Sverige. Identitet – Självbild – Minne, Falun, Sweden, October, 2005. [BibTeX]
Jernudd, Å. (2004). Reform, Temperance and Entertainment: Leisure in a Small Town in Sweden Around 1900. Konferensbidrag vid British Academy Network Seminar: Local Film and Local Exhibition, Stockholm, 2004. [BibTeX]
Jernudd, Å. (1999). Nonfiction and Documentary: An Analysis of a Program Inbetween. Konferensbidrag vid 14:e nordiska konferensen för medie- och kommunikationsvetenskap, Kungälv. [BibTeX]
Jernudd, Å. (1999). The Expedition Film. ‘Just Looking’ at Wild Men and Beasts. Konferensbidrag vid NorFa Workshop on History and Film, Lund. [BibTeX]

Rapporter

Jernudd, Å. (2012). Teaching cinema studies in Singapore: report from a semester at Wee Kim Wee School of Communication and Information, Nanyang Technological University, as a STINT-fellow within the Excellence-in-Teaching program 2011.. . [BibTeX]